From the category archives:

Historical Romance

Templar Knight, Forbidden Bride

Templar Knight, Forbidden Bride

Title: Templar Knight, Forbidden Bride
Author: Lynna Banning
Copyright: 2008 (Harlequin); 271 pgs.
ISBN: 978-0-373-29514-2
Series: Harlequin Historical #914
Sensuality: Warm
Genre: Historical Romance — Medieval

The Lady: Leonor de Balenguer y Hassam of Granada. The 27 year-old daughter of the vizier has dreams of becoming a female troubadour, traveling France, singing, and playing her harp. Though well-educated, Leonor knows nothing of the world outside the emir’s court and her father’s house. She has managed to remain unmarried this long because she refuses to marry a man she cannot love.

The Knight: Reynaud. The Templar knight is all too familiar with the realities of the world. A bastard, he was raised by Hassam’s brother in Granada, making him the best candidate to carry a secret message from the Templar Grand Master to the emir’s adviser. Hassam will deliver his message to the emir, if Reynaud promises to escort Leonor to family in Moyanne.

Their history: Leonor hasn’t seen Reynaud in twenty years, since he left to seek his way in the world. She is surprised to see him, having feared that he had died in the Holy Land. Leonor has adored Reynaud since they were children, but the man she sees now is almost a stranger to her: stern and joyless. For his part, Reynaud remembers the clever, impossible girl — but it’s the woman that will haunt him the rest of his life.

Unrequited: Reynaud is a Templar, a warrior monk. He’s made a vow of celibacy. The knighthood is the only thing he knows, and being a bastard means he has nothing to offer Leonor anyway. And if that wasn’t enough, he is still on a dangerous mission for his Grand Master, and he may die. As for Leonor, she is confused at first by his standoffish and stern behavior. She thinks that he does not like her very much, but it doesn’t take long for her to learn the truth of his feelings. Though it breaks her heart, she acknowledges the fact she loves a man who can never return that love.

What I liked about it: I liked that, though Reynaud falls in love at first sight, it takes Leonor a little longer to realize her true feelings. And once they are known, both exercise restraint. Both accept the fact that they can never be together unless Reynaud is willing to break his vows or leave the Order forever. Though Leonor is naive in some ways, she’s not stupid and doesn’t blunder foolishly about. Reynaud does walk away from the Templars only after he is ordered to do something that he cannot do in good conscience — and getting to marry Leonor is just an added bonus. The author has notes, both in the beginning and at the end of the book, about the warrior monks and troubadours that were interesting.

What I didn’t like: Medievals aren’t my preferred era, but nothing stood out as a turn-off.

Recommended to: Fans of medieval romances, looking for a short read.

Started: 27 January 2010
Finished: 24 February 2010
(I was house hunting in February — some days, only could squeeze in half a page.)

Rating:

Enjoyed it!

Disclaimer: I purchased this book.

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Updated 10 April 09: Thanks for all the input. I never thought I would read so many romances that I would actually have to split them up into more accurate sub-genres.

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Recently, I was perusing my category tags, both on-line and off.  Since I label even contemporary-set paranormals and urban fantasy as “contemporary”, it looks like I’ve read more contemporary books than historical.

My original thought behind labeling them as such was to distinguish them from historical-set fantasy and paranormal, on the off chance I read one — Mary Jo Putney’s “The Marriage Spell” — and futuristics — most of  Colby Hodge’s “Twist” is set in the future.

I’m beginning to think that this is misleading.   Readers looking for straight contemporaries might be unhappy to learn that the main female character in “Ace is Wild” is a psychic — though nowhere near the level of Feehan’s GhostWalkers or Singh’s Psy.  Fans of those series might take exception to “Ace is Wild” being labeled as paranormal.

So my question is, is it misleading?

On a slightly related note. . .

In Magic Strikes by Ilona Andrews (urban fantasy set in an alternate-reality Atlanta), we learn one of the characters is a big fan of paranormal romances (not Kate — her favorite book is “The Princess Bride”).  Later, we learn that several books (or all of them) by the character’s favorite author features. . .pirates.

This got me thinking.  In Kate’s world there are shape-shifters, vampires, magic.  What would these characters consider “paranormal”?  Your average Harlequin Superromance? Chick-lit? Ye Olde  Bodice-rippers of the 80’s?

And would a comtemporary be a story about a hunk of a werehyhena romantically pursuing a heavily armed Knight of the Order?

Anyone else pondered this?

There’s a poll in my sidebar regarding the labeling .  Please take a moment to vote.  Thanks.

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faq
An Unladylike Offer

An Unladylike Offer

Author: Christine Merrill
Copyright: 2007 (Harlequin); 290 pgs.
ISBN: 978-0-373-29462-6
Series: Harlequin Historical # 862 (Regency)
Sensuality: Warm

Who: Esme Canville and St John Radwell
Where & When: England

An Unladylike Offer can be read as a stand-alone, but to get a better understanding of St John’s past, particularly in regards to his brother Marcus, Duke of Haughleigh, I would recommend reading The Inconvenient Duchess first.

After five years of fighting in the wars, St John is back in England. He misses his childhood home and he even misses is brother. Once, when they were children, they had been partners in mischief and ready for adventure, but their parents — in a bitter and loveless marriage — pitted them against each other. He made a vow that, if he survived, he would make peace with Marcus.

Toward that goal, St John is trying to reform his character by avoiding new scandal. The Prince Regent, wishing to reward him for his honorable service, has promised him an earldom — provided he behaves himself while waiting for the current, heir-less, holder of that title to pass on. St John doesn’t know how long the old earl will live, but whatever the length of time, he believes it to be worth it if it secures him an income and help him show Marcus he’s a changed man. If he can approach his brother as a peer — a man with honor and responsibilities, and maybe even a wife — his claims of being reformed will carry more weight. However, his good intentions get derailed when Esme Canville shows up, offering to be his mistress.

Esme’s father — a cruel and abusive man — has arranged a marriage for her to the Earl of Halverston, an older man who will no doubt be as horrible as her father (as far as she can tell from her one brief glimpse of him). She is desperate to avoid the marriage and escape her father. If she is ruined, her father will have no choice but to call off the betrothal. St John tries to talk her out of her plans, but she determined to go through with it — with him or with someone else. Fortunately for them both, she snatches his laudanum-laced brandy from his hand and downs it (knowing full well what the glass contained). She passes out, making it easier for St John to take her to the one person he can rely on to protect Esme from herself and others: Marcus.

Though the duke believes he is up to no good, St John is able to convince the duchess to take Esme under her wing and learn the truth of the situation before sending her back to her father. Miranda does exactly that. She comes up with a barely plausible plan, she admits, that will allow Esme time to find a man she prefers and marry him. Marcus grudgingly allows Miranda to include St John in her plans, neither man realizing that Miranda’s plan involves St. John marrying Esme.

Esme is a heroine in pursuit. Though she goes along with Miranda’s plans by considering the other eligible men introduced to her, Esme’s fallen for St John and nothing he does seems to frighten her off. She knows he’s not the cad he once was because he didn’t take advantage of her when he had the chance. Yet, no matter how much he seems to enjoy her company — or how much it seems as if he wants her — St John refuses to offer for her. It’s maddening, and she’s running out of time.

The situation is no better for St John. He’s taking laudanum to avoid the nightmares of what happened in Portugal. He’s trying to prove to his brother that he’s changed, while following Marcus’s orders to discourage Esme by acting like a rake. Talk about cross-purposes. Marcus isn’t convinced of his sincerity, at first, and is still disappointed in him. St John finds himself falling in love with Esme, but can’t — in good conscience — make an offer for her when he has no means of support. Plus, he hasn’t banished the nightmares of Portugal, which includes another heartbreak.

My favorite aspect of the story was the brothers and St John’s struggles to convince Marcus that he was truly sorry for the past and that he was mending his ways. It really touched me, more so than the romance. Probably because I have two brothers who are close. Of course, they are nothing like Marcus and St John. I loved Marcus for going along with St John’s schemes to rescue Esme from her father — gate crashing the betrothal party, consorting with prostitutes and a thief — without so much as blinking an eye. It shows how far he’s come in trusting St John’s judgment.

As to the romance, I liked that Esme calls St John out for being “oh, no, something bad will happened to you” if he admits that he loves her. Esme tells him his more afraid of getting his heart broken again than her well-being. He really needed to hear that it wasn’t his fault that the women he loved died, and it shows that she knows and understands him more than he realizes. But Esme doesn’t know as much as she thinks, as she learns shortly after. Esme is finally successful in her quest to seduce St John, and comes to realize that she’s been acting selfishly. St John’s sense of honor will require him to marry her, and cost him his hard won efforts to reconcile with Marcus and repair his reputation.

Christine Merrill is currently my favorite Harlequin Historical author. Most of her books were/are published first in the UK before they are published in North America. I’ve decided not to wait for Miss Winthorpe’s Elopement to make it across the pond. A Wicked Liaison — which features a character from An Unladylike Offer — will be published this summer in North America (realized this after I ordered it from the UK — I didn’t look closely enough). Looking forward to them both.

Favorite quotes:
“All right. I frighten Lord Canville into giving us his only child, or bludgeon him into cooperation with my title. What are we to do with Esme Canville and her imaginary fever?”
– Marcus, Duke of Haughleigh

“But we do not need your best behavior, St John. We need for you to be a fate worse than death.”
– Miranda lays out her plan

“Finally, the duel I knew must come, that would settle things between us, once and for all. And in the middle of it, you fell asleep. My pride may never recover.”
– Marcus

Started: 7 February 2009
Finished: 9 February 2009

Rating:
TBA

The Inconvenient Duchess

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Cousin Kate

Cousin Kate

Author: Georgette Heyer
Copyright: 1968 (original)’ 2000 (Harlequin); 396 pgs.
ISBN: 0-373-83446-2
Series: NA
Sensuality: Kisses

Who: Kate Melvern and Philip Broome
Where & When: England, 1817/1818

As author Teresa Medeiros states in the Forward, this book is a departure — more Gothic suspense than high comedy — yet it is not as dark as other Gothics, because it still contains Heyer’s trademark secondary characters and humor.

The lovely orphaned and penniless Kate Melvern is at the end of her rope, so to speak. Released from her governess position for being too young, too pretty, and not accomplished enough, Kate has returned to her own nurse, Sarah Nidd and is seriously considering hiring herself out as a lady’s maid or seamstress. Sarah won’t hear of it and she writes to Lady Broome, half-sister of Kate’s father. Estranged, Kate has never met her Aunt Minerva and only knows what her father has told her of her ambitious relative. Kate has serious doubts that Lady Broome will help to her, so she is doubly shocked when her aunt comes in person to invite her to Staplewood.

Staplewood is the ancestral home of the Broome’s. The current baronet, Sir Timothy, is many years older than Aunt Minerva — who is his second wife — and his health is in decline. Their only child, Torquil, is a bit of an oddity. He has never been sent away to school and he has no friends. Prone to mood swings and severe headaches, his health is considered delicate and the young man is hardly ever out of the sight of his doctor or some member of the household.

Though Lady Broome is very kind and generous, Kate begins to feel crushed by such generosity and wonders how she will be able to ever repay her aunt. Though Kate has begged her aunt to allow her to be useful, Lady Broome has reassured her that Kate spending time with Torquil is ample repayment. Kate is bored with the idle lifestyle. There are no balls or other house parties — except the one dinner party attended by only Sir Timothy’s friends — to break up the monotony, and Torquil’s behavior makes him a poor companion.

The arrival of Mr. Philip Broome, Sir Timothy’s beloved nephew, adds some excitement and change to the household. Philip and Lady Broome do not like each other. She resents the influence Philip has with Sir Timothy and the high regard Sir Timothy has for Philip. Torquil is alternately happy to see him and convinced that Philip is out to get him. For his part, Philip is leery of Kate and believes her to be a fortune hunter with an eye on Torquil. After a couple of uninterrupted conversations with her, he soon realizes that he’s mistaken in regards to her character, and that she is unaware of the real situation at Staplewood.

I really enjoyed this book. Kate is one of the more level-headed, practical, Heyer heroines. Philip is strong, but not unduly arrogant and can admit that he may be wrong about what’s going on at Staplewood. Of course, they are perfectly suited for each other and the scene in which Philip proposes to Kate is the highlight of the book.

And one final note: Torquil? Seriously??

Started: 25 January 2009
Finished: 2 February 2009

Rating:
TBA

research

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Update to a YEAR OF THE CATEGORY Challenge – Review link and category.

Innocence Unveiled

Innocence Unveiled

Author: Blythe Gifford
Copyright: 2008 (Harlequin); 276 pgs.
ISBN: 978-0-373-29502-2
Series: Harlequin Historical # 902 (Medieval)
Sensuality: Warm

Who: Katrine de Gravere and Renard
Where & When: Flanders,1337

Katrine de Gravere of Ghent is disparate for wool. With her father languishing in a English prison and an embargo on English wool, Katrine has little choice but to listen to the mysterious stranger’s offer if she wants to keep the business running. He’s no doubt a smuggler if he claims he can get good English wool during the embargo, but she doesn’t care, as long as she gets her wool. She is an unmarried woman, alone, allowed to run her father’s business because it was only supposed to be temporary while he was in London. And when her uncle refuses to help her, Katrine puts her trust in a total stranger.

Renard can get his hands on all the English wool Katrine could ever want because he is in the service of the king of England. His true mission is to find out which of the city’s leaders can be persuaded to support Edward’s claim on the French throne, defying their count and the French king. Since English wool is far superior to both French and Flemish, there are many who would rather side with Edward if it would mean continued access to the wool. Renard needs a safe haven in the city while he scopes out the likeliest candidates that also have the loyalty of the workers. Katrine’s all-but-empty shop is the perfect place.

Katrine has other problems besides no wool for her loom. Her uncle, the Baron de Gravere, is loyal to the count of Flanders, and he tries to force Katrine to leave Ghent with him and her aunt. Katrine is able to avoid making the trip and has temporary respite from him. The baron is a vile man who constantly tells Katrine that she is sinful, wanton, and no decent man would want to marry her (Katrine believes him and she is distressed by her growing attraction to Renard). When the baron returns to Ghent, he has Katrine attacked to prove his point that she isn’t safe in the city alone. And when he inadvertently learns that Katrine has been harboring a man — an English one, no less — he tries to bully her into betraying Renard.

For his part, Renard has done his best to avoid temptation. Born an unacknowledged royal bastard, he must rely on the king’s favor for any advancement and he has no desire to subject a child to the same fate. He has nothing — land, title, or riches — to offer to any gentlewoman, so marriage was never an option for him. Since Edward has promised him a bishopric if his campaign is successful, marriage is now entirely out of the question. Being a bishop means he will no longer be subjected to the king’s whims or rely on him for favors, and he will be answerable only to God and the pope. But Renard finds himself attracted to Katrine and it becomes a real test to his resolve to be around her. Katrine teaches him how to weave, and he is surprised by his feeling of accomplishment when he sees his handiwork. It’s tangible evidence of his efforts, something he doesn’t always have serving the king. And for the first time since Edward made the offer, Renard isn’t looking forward to being a bishop.

I really liked this story. It’s set in a time and place I rarely read about. I was really interested in the characters and what became of them. Both Katrine and Renard had to overcome their beliefs about desire. Katrine has always been told it was sinful, and Renard’s belief is shaped by the nature of his birth. It’s Katrine who has an epiphany first and realizes that desiring the man she fell in love with is a natural thing. It takes Renard a little longer to resolve his issues regarding his parentage and allow himself to love Katrine.

Readers more familiar with the history of the time need to be aware that the author took some liberties with history. She points out, in her afterword, what she changed.

Started: 2 January 2009
Finished: 6 January 2009

Rating:

Liked A Lot

Liked A Lot

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